"Vincent grew, and since his arrival in Paris, a secret, perhaps a love, a devotion certainly a master of light, able to manipulate intensity and shades. Monticelli Adolphe Joseph Thomas died in those months of 1886 in Marseilles, and left behind something to Vincent passionate and eternal pain of the rich south in a really bright light colors and coloristic ... contrasts of blue and orange, red and green, yellow and purple because it was really persuaded to be the incarnation Adolphe Monticelli ... "pg. 129
"The interest was strong and Japanese silks pecualiare also given its close association with the gallery of the merchant Bing Arts d'Orient, authorities found in matter. In the gallery you could buy some good piece for 50 cents, but where it was difficult to find the Hokusai and other works of that period and the art of Japanese who had something of the primitive Greeks, including the Flemish, Rembrandt, Endymion Potter, Frans Hals the Elder Jan van der Meer, of Isack van Ostade, Salomon van Ruysdael. It was an art that never sets. ... Vincent began to collect giapponeserie for them to study, imitate them, understand them, and never be satisfied with those figures, from the landscapes, from those colors. "Pg. 135
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